In Coming

Lurking in the Corridor

This is a photo joiner of Jake lurking in the corridor I made this by taking a series of different images and arranging each separate one on Photoshop making them fit together like a jigsaw puzzle but it gives off a distorted effect which I don't really mind.

Porthtowan joiner

This photo joiner of Porthtown is made up of 13 individual images taken at different angles then molded into one final image using Photoshop. Then I cloned and blurred the edges of each image to make the image look seamless.

Overall I am happy with the result of this image and think it has fitted together well making a panoramic perspective of the landscape.

Newquay Photomontage

This is a photomontage of Newquay Woodernwaves skatepark made up of 42 images, arranged and stuck down on to paper. I then took a photo of my photomontage and put it into Photoshop, cropped it down and resized the image.

In this image your eyes are drawn from the background to the foreground.

Self Portrait Photomontage

This is a self portrait photomontage made up of 19 images arranged and stuck together on a piece of paper then I took a photo of my photomontage and put it on Photoshop and cropped the image down.

I like the way this image shatters the usual sense of perspective and instead creates a fisheye feel which makes me look close up but i was still able to fit the whole of me in.

This is similar technique used by David Hockney in his polaroid collages. Have a gander at the link on the right.

Deceiving sunset

Deceiving sunset is a picture taken from my friends car driving back into St.Agnes just after the sun had set. I intended to take a picture of an on coming car driving up the road but I wanted the windscreen wipers of my friends car in the way of the on coming cars headlights making it look like an interesting sunset.

I'm not usually inspired by sunsets, they always seem cheesy in my opinion but this one has a road movie feel about it and reminds me of the American road movie Vanishing Point.

Ghost

This long exposure image of Tyler on Highertown Road one autumn evening shows him as a ghostly figure looking towards the oncoming traffic. I achieved this effect by asking Tyler to step out of the frame halfway through the exposure. I asked Tyler to stand on the left side of the frame to follow the rule of thirds in this composition. There are strong leading lines in this image that lead your eye in the same direction that Tyler is looking. I also liked the use of doubles or repetition for this image; two street lamps, two trees, two bollards, and two cars.